Publications in Sound Art

Rowland J (in press) Chapter 9: Paper Speakers, in: Handmade Electronic Music, 3rd edition, ed. Nic Collins.

Rowland J (2020) Perception as Media: Reconsidering the Arts and Neurotechnology. Leonardo, “Just Accepted” Publication. [PDF]

Rowland J (2013) Flexible Audio for Composition and Art Practice, Leonardo Music Journal, No. 23, special issue on Sound Art. [PDF]

Freed A & Rowland J (2013) Colocated Surface Sound Interaction, ACM Conference on Human-Computer Interaction. Paris, France.[PDF]

Rowland J & Freed A (2012) Flexible Surfaces for Interactive Audio. Conference


Publications in Music and Auditory Neuroscience

Rowland J., Kasdan A. & Poeppel D. (2018) There is music in repetition: Looped segments of speech and non-speech induce the perception of music in a time-dependent manner. Psychonomics Review & Bulletin. [PDF]

Belfi AM, Kasdan A, Rowland J, Vessel EA, Starr GG, Poeppel D. (2018) Rapid timing of musical aesthetic judgments. J Exp Psychol Gen. 147(10):1531-1543.

Farbood M, Rowland J, Marcus G, Ghitza O & PoeppelD (2015) Decoding Time for the Identification of Musical Key. Atten Percept Psychophys. 77(1): 28–35. [PDF]

Wade A & Rowland J (2010) Early suppressive mechanisms and the negative BOLD response in human visual cortex. Journal of Neuroscience. 30(14): 5008–5019. [PDF]

Farbood M, Rowland J, Ghitza O, Poeppel D (2011) An Exploration of the Temporal Dynamics of Music Processing Using Gap Insertion. Northeast Music Cognition Group Meeting 2011 Presentation.



Feature I­nterview in “I Care if You Listen”: Turning Up The Volume: Jess Rowland (Composer, Sound Artist), by Jessica Griggs (2018).
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Rowland J (2015) Transgender Today: New York Times. [link:]