Publications in Sound Art
Rowland J (in press) Chapter 9: Paper Speakers, in: Handmade Electronic Music, 3rd edition, ed. Nic Collins.
Rowland J (2020) Perception as Media: Reconsidering the Arts and Neurotechnology. Leonardo, “Just Accepted” Publication. [PDF]
Rowland J (2013) Flexible Audio for Composition and Art Practice, Leonardo Music Journal, No. 23, special issue on Sound Art. [PDF]
Freed A & Rowland J (2013) Colocated Surface Sound Interaction, ACM Conference on Human-Computer Interaction. Paris, France.[PDF]
Rowland J & Freed A (2012) Flexible Surfaces for Interactive Audio. Conference
Publications in Music and Auditory Neuroscience
Rowland J., Kasdan A. & Poeppel D. (2018) There is music in repetition: Looped segments of speech and non-speech induce the perception of music in a time-dependent manner. Psychonomics Review & Bulletin. [PDF]
Belfi AM, Kasdan A, Rowland J, Vessel EA, Starr GG, Poeppel D. (2018) Rapid timing of musical aesthetic judgments. J Exp Psychol Gen. 147(10):1531-1543.
Farbood M, Rowland J, Marcus G, Ghitza O & PoeppelD (2015) Decoding Time for the Identification of Musical Key. Atten Percept Psychophys. 77(1): 28–35. [PDF]
Wade A & Rowland J (2010) Early suppressive mechanisms and the negative BOLD response in human visual cortex. Journal of Neuroscience. 30(14): 5008–5019. [PDF]
Farbood M, Rowland J, Ghitza O, Poeppel D (2011) An Exploration of the Temporal Dynamics of Music Processing Using Gap Insertion. Northeast Music Cognition Group Meeting 2011 Presentation.
Other
Feature Interview in “I Care if You Listen”: Turning Up The Volume: Jess Rowland (Composer, Sound Artist), by Jessica Griggs (2018).
[link to: https://www.icareifyoulisten.com/author/jessica/].
Rowland J (2015) Transgender Today: New York Times. [link: www.nytimes.com/interactive/projects/storywall/transgender-today/stories/jess-rowland]